For years, masks have been a representation of characters in theatrical performances. In Greece, the significance of masks increased from ritual to ritual-drama when they became huge pieces of leather or painted canvas and depicted an extensive variety of personalities, ages, ranks, and occupations. Needless to say, theatre masks gained immense popularity with the passage of time. While in the Middle Ages, masks were used in the mystery plays of the 12th to 16th century, their use witnessed a rise during the 15th-century Renaissance in Italy.
Plays such as Die Versunkene Glocke (The Sunken Bell; 1897) by German writer Gerhart Hauptmann (1862–1946), dramatizations of Alice in Wonderland, Dreaming of the Bones, The Great God Brown by American dramatist Eugene O’Neill (1888–1953), and others got highlighted wherein actors wore masks of their own faces to showcase changes in the internal and external lives of their characters. A lot may have changed in the history of theater drama masks, but what remains the same is their popularity and prominence.
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